{"id":526,"date":"2009-11-30T04:28:00","date_gmt":"2009-11-30T09:28:00","guid":{"rendered":"http:\/\/www.brianrose.com\/blog\/?p=526"},"modified":"2010-02-17T21:17:51","modified_gmt":"2010-02-18T02:17:51","slug":"new-yorkthe-americans","status":"publish","type":"post","link":"https:\/\/www.brianrose.com\/blog\/2009\/11\/new-yorkthe-americans\/","title":{"rendered":"New York\/The Americans"},"content":{"rendered":"<p><a href=\"http:\/\/www.brianrose.com\/journal\/tedesso_met.htm\"target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/www.brianrose.com\/journal\/tedesso_met.jpg\" \/><\/a><br \/>Frank Tedesso in the Metropolitan Museum of Art &#8212; \u00a9 Brian Rose<\/p>\n<p>After leaving (staggering out of) &#8220;Looking in: Robert Frank&#8217;s <span style=\"font-style: italic;\">The Americans<\/span>&#8221; at the Met, I stood for a moment by a Rodin statue pondering the exhibition&#8211;another photography exhibition where no photography was allowed. Robert Frank&#8217;s pictures were a searing burn of visual truth made at a time when voices were silenced by blacklists and guilt by association. It took courage to make art in the &#8217;50s, perhaps, but if you were unknown or underground enough, maybe it didn&#8217;t really matter. In the end, Frank&#8217;s dark&#8211;though beautiful&#8211;vision of America surfaced, and changed forever how we saw ourselves, and how we viewed and made photographs.<\/p>\n<p>I snapped a few desultory shots of a poster directing the hordes of museum goers to the start of the exhibition. It had on it the famous photograph of a New Orleans streetcar with those unforgettable faces. And then, materializing out of the crowd, a face I knew, someone who is as fine an heir to the tumbling poetry and prose of the Beats I know, the songwriter and poet Frank Tedesso. Here&#8217;s a bit of one of his song lyrics:<\/p>\n<p>it&#8217;s raining in tibet,<br \/>all of the holy men are getting wet<br \/>it&#8217;s only snowing on my street,<br \/>but my heart is melting away from me\u2026<br \/>There&#8217;s a madman up in the attic<br \/>stompin&#8217; the blues in his chains<br \/>he sings my songs, he wears my clothes<br \/>he answers to my name<br \/>love me because i am crazy&#8217;<br \/>as crazy as you are beautiful<br \/>love me because i know forever<br \/>runs through me and you<br \/>and these flesh and bones<br \/>de flesh and de bone<br \/>is that the holy ghost on the saxophone<br \/>sometimes a man has the need to roam<br \/>to roam from these flesh and bones<\/p>\n<p>Go<a href=\"http:\/\/www.myspace.com\/franktedessoandpeterlewy\"> here<\/a> to hear some of his songs.<\/p>\n<p><a href=\"http:\/\/www.brianrose.com\/journal\/metcabbages.htm\"target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/www.brianrose.com\/journal\/metcabbages.jpg\" \/><\/a><br \/>82nd Street and Fifth Avenue &#8212; \u00a9 Brian Rose<\/p>\n<p>As I wandered out of the museum, and breezed down 82nd street snapping pictures on my way to the subway, it struck me how self-conscious photography has become since the time of Robert Frank&#8217;s intuitive exploration of the country. We seem always to know where we are going and what we will find when we get there. Even serendipitous moments have a calculated predictability. Street photography has a staged quality, and staged photography has subsumed the idea of spontaneity.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Frank Tedesso in the Metropolitan Museum of Art &#8212; \u00a9 Brian Rose After leaving (staggering out of) &#8220;Looking in: Robert Frank&#8217;s The Americans&#8221; at the Met, I stood for a moment by a Rodin statue pondering the exhibition&#8211;another photography exhibition where no photography was allowed. Robert Frank&#8217;s pictures were a searing burn of visual truth [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[],"class_list":["post-526","post","type-post","status-publish","format-standard","hentry","category-photogs"],"_links":{"self":[{"href":"https:\/\/www.brianrose.com\/blog\/wp-json\/wp\/v2\/posts\/526","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.brianrose.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.brianrose.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.brianrose.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.brianrose.com\/blog\/wp-json\/wp\/v2\/comments?post=526"}],"version-history":[{"count":1,"href":"https:\/\/www.brianrose.com\/blog\/wp-json\/wp\/v2\/posts\/526\/revisions"}],"predecessor-version":[{"id":632,"href":"https:\/\/www.brianrose.com\/blog\/wp-json\/wp\/v2\/posts\/526\/revisions\/632"}],"wp:attachment":[{"href":"https:\/\/www.brianrose.com\/blog\/wp-json\/wp\/v2\/media?parent=526"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.brianrose.com\/blog\/wp-json\/wp\/v2\/categories?post=526"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.brianrose.com\/blog\/wp-json\/wp\/v2\/tags?post=526"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}