{"id":270,"date":"2008-03-22T21:44:00","date_gmt":"2008-03-22T21:44:00","guid":{"rendered":"http:\/\/www.brianrose.com\/blog\/?p=270"},"modified":"2008-03-22T21:44:00","modified_gmt":"2008-03-22T21:44:00","slug":"new-yorkarchive","status":"publish","type":"post","link":"https:\/\/www.brianrose.com\/blog\/2008\/03\/new-yorkarchive\/","title":{"rendered":"New York\/Archive"},"content":{"rendered":"<p><a href=\"http:\/\/www.brianrose.com\/journal\/ypenburg01.htm\"target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/www.brianrose.com\/journal\/ypenburg01.jpg\" \/><\/a><br \/>Ypenburg, The Netherlands, (4&#215;5 film)<\/p>\n<p>I&#8217;ve been spending a lot of time with my architectural photography archive of late. Most of the early pictures are 4&#215;5 transparencies, the favored film format at the time. Later, I switched to negative film, which better handled mixed interior lighting, and those negs were duped on positive print film. After that, I scanned my negatives directly, and delivered digital files to my clients.<\/p>\n<p>I&#8217;ve been scanning a lot of the older stuff for portfolio and stock purposes, and I&#8217;m catching up on a few things that were never given the attention they were due. One in particular, MVRDV&#8217;s houses in Ypenburg, near the Hague, in the Netherlands. I made these pictures for my portfolio, so there wasn&#8217;t a client involved.<\/p>\n<p><a href=\"http:\/\/www.brianrose.com\/journal\/ypenburg02.htm\"target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/www.brianrose.com\/journal\/ypenburg02.jpg\" \/><\/a><br \/>Ypenburg, The Netherlands (4&#215;5 film)<\/p>\n<p>MVRDV is one of most interesting Dutch firms, and I&#8217;ve photographed two other projects of their&#8217;s, including the Silodam where I lived for several years before moving back to New York. The houses in Ypenburg are in one of these only-in-the-Netherlands suburban developments where many different architects are asked to each design a neighborhood within a rigorous overall plan. The effect is often a patchwork of signature styles all vying for attention and never quite cohering as a harmonious quilt.<\/p>\n<p><a href=\"http:\/\/www.brianrose.com\/journal\/ypenburg03.htm\"target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/www.brianrose.com\/journal\/ypenburg03.jpg\" \/><\/a><br \/>Ypenburg, The Netherlands (4&#215;5 film)<\/p>\n<p>Individually, the projects can be quite successful, as is this collection of multi-colored, variously clad houses. They are sort of <span style=\"font-style: italic;\">ur<\/span> houses in the sense that they riff off of western culture&#8217;s most elemental concept of house&#8211;a box with windows, a sloping roof, and little gardens around. The architects were required to limit automobile access, so the houses are laid out on a grid of paths with parking on the perimeter of the block. I&#8217;m not sure that the layout is any better than row houses on streets, but someone thought that banishing cars from the inner circulation of the development would create a more pedestrian friendly environment. Ultimately, Ypenburg, and other Dutch suburban new towns, are very car-oriented places, though much denser than typical American suburbs.<\/p>\n<p>Like most of MVRDV&#8217;s work, these houses don&#8217;t really express a particular design style so much as a conceptual solution. I can&#8217;t speak to the usability of the design&#8211;how about the transparent storage sheds?&#8211;but I enjoyed photographing these brightly colored Monopoly houses.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ypenburg, The Netherlands, (4&#215;5 film) I&#8217;ve been spending a lot of time with my architectural photography archive of late. Most of the early pictures are 4&#215;5 transparencies, the favored film format at the time. Later, I switched to negative film, which better handled mixed interior lighting, and those negs were duped on positive print film. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[],"class_list":["post-270","post","type-post","status-publish","format-standard","hentry","category-photogs"],"_links":{"self":[{"href":"https:\/\/www.brianrose.com\/blog\/wp-json\/wp\/v2\/posts\/270","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.brianrose.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.brianrose.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.brianrose.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.brianrose.com\/blog\/wp-json\/wp\/v2\/comments?post=270"}],"version-history":[{"count":0,"href":"https:\/\/www.brianrose.com\/blog\/wp-json\/wp\/v2\/posts\/270\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.brianrose.com\/blog\/wp-json\/wp\/v2\/media?parent=270"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.brianrose.com\/blog\/wp-json\/wp\/v2\/categories?post=270"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.brianrose.com\/blog\/wp-json\/wp\/v2\/tags?post=270"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}