Found another image of the Twin Towers up in the Bronx.
Mike Lupica in the Daily News:
On the eve of another anniversary of Sept. 11, terror from the sky created by madmen, it is always worth remembering that ever since that day 16 years ago, we have worried about somebody coming for us again, Al Qaeda or ISIS or the Taliban. And we have done as much as a city and country can do to make sure that does not happen. It is the storms that keep coming.
WTC — available here.
A couple of book notes. WTC, my latest book, was included in the Athens Photo Festival this summer. The selected books were placed on tables in the gallery so that viewers could pick them up and page through them. It would have been fun to go to Greece, but I’ve had a busy summer.
Athens Photo Festival
WTC is available for sale on my website. PLEASE GET YOUR COPY.
And one of my photographs has been selected for what promises to be a terrific photo book about Brooklyn. Brooklyn Photographs Now, written and edited by Marla Hamburg Kennedy features the work of well known and emerging photographers. Some of the recognizable names include Joel Sternfeld, Mitch Epstein, and Joel Meyerowitz. Lots of newcomers as well.
Brooklyn has seen exponential change over the past fifteen years, and this book presents the best work of the photographers from all over the world who have been capturing those changes and movements in cityscapes, portraits, vignettes, and process-oriented photography.
The book will be out in the Spring of 2018. You can read more about it here.
The three books I have published in the past seven years comprise a New York trilogy — the city seen and explored over an extended period of time. Taken together they form a portrait of New York, especially lower Manhattan, during a period of extreme transformation. I hesitate to say “unprecedented” because change is integral to the nature of New York going all the way back to the first Dutch settlers.
The story told in these books relates to past photographic projects even to the way in which Marville and Atget documented Paris during the remaking of the city under Haussmann. I was familiar with all of that history when I began photographing the Lower East Side in 1980. At the same time, I was influenced by contemporary strains of street, architectural, and landscape photography. Color was an exceptionally new thing when I started this work in the 1970s, Today, it is the default photographic medium. As I was exploring New York with my camera, I was also discovering color’s descriptive nature, and its capacity to reveal as well as obscure.
These books also form a personal narrative, and I have kept my voice present throughout the text accompanying the photographs. I was 23 when the first images were made, and 62 when the most recent were done. At the center of this trilogy — though not seen directly — the World Trade Center was destroyed by terrorists on September 11, 2001. That wrenching event propelled the city forward, inexplicably, as a complex barely understood motive — and simultaneously, propelled the nation backward, convulsively, to the present moment of political crisis.
The trade edition of this book is, unfortunately, sold out, though used copies can be found on the internet.
The limited edition is still available — signed books in a slipcover with an 8×10 inch print inside.
Purchase the limited edition or browse images and reviews here.
Metamorphosis. Meatpacking District 1985 + 2013 is before/after view showing rthe dramatic transformation of the former meat market of New York City. Rose spent several days in 1985 photographing the neighborhood with a 4×5 view camera. The negatives remained in a box unseen for over three decades. Rediscovered a few years ago, the images portray the streets and architecture of New York, stunningly empty, but vividly real.
There are only 150 copies of this book still available.
Purchase the trade or limited edition of the book here.
WTC is a visual history of the Twin Towers and the rebuilding of the city after 9/11. It serves as both historical record and personal story going all the way back to 1977 when the Trade Center was only a few years old and Rose was a newcomer to the city.
WTC pivots off of 9/11 with a series of images made directly after the destruction of the Towers, and moves forward to the ascendance of One World Trade Center on the skyline.
Purchase the trade or limited edition of the book here.
When the Twin Towers were destroyed on September 11, 2001, a small Greek Orthodox church, St. Nicholas, was obliterated by the falling debris. A replacement church designed by Santiago Calatrava is now under construction a short distance from the original structure. I snapped the picture above returning from an appointment at the 9/11 Museum offices. My book, WTC, will soon be available in the museum shop.
The original church served a small congregation just south of the WTC on Cedar Street. The building, converted from earlier use as a tavern, stood alone on a parking lot. Photographers were fond of tilting up at the cross with the Twin Tower rising above. It was a perspective that Edward Fausty and I avoided when we made our picture back in 1981.
An article and portfolio of my photographs from WTC on Untapped Cities, a web journal about New York City.
WTC is book about the Twin Towers, their presence and absence, and the rebuilding of the city after September 11.
It is also a tribute to New Yorkers and all who carry a piece of the great city with them. It is a book that commemorates rather than exploits, a book that preserves memories, both painful and hopeful, and celebrates, however cautiously, the resilience of this city in the face of adversity.
Purchase WTC here.
This is what 2,000 books looks like when stacked nine boxes high. 169 boxes in all. Your first thought when they arrive is — what have I done?! — and then they fit exactly as determined weeks ago when they were on a container ship slowly making their way to New York. So, no surprises.
The moment of truth is here. Please join me for the book launch in Cooper Union’s Great Hall. I will be doing a slide talk, taking questions, and there will be a reception afterwards with books available for purchase and signing. See you there!
WTC Book Launch
September 8, 6:30pm
The Great Hall
7 East 7th Street
New York City
Save the date — September 8th — for the launch of WTC! Books are in the port of New York and should arrive soon.
WTC Book Launch
The Great Hall at Cooper Union
7 East 7th Street
New York, NY
6:30pm (until about 8pm)
Slide talk and book signing afterwards
Light refreshments served
This is it folks. Advance copies of WTC have arrived from the printer, and — what can I say — the book is stunning. The original design for the cover had the letters WTC dissolving into a close-up of the skin of one of the Twin Towers, symbolic of their disappearance and ghostly presence. But we decided to go with silver reflective letters that almost float above the matte background. The effect is stronger, more iconic. It is simple, elegant, and I think, powerful.
The spine and endpapers are a cool blue, taken from wedge of sky seen between the Twin Towers in one of the images. The photographs and text blocks are a consistent scale with white borders throughout except for the bleed images that break up the different sections. This is a book to be read — both the writing and the imagery.
I am very proud of WTC. It is the third in a trilogy of books about New York City. It is the culmination of a lifetime of observing the urban landscape and architecture, the center stage for human endeavor. It is a story both personal and shared — this great city and the tragedy that befell it 15 years ago. It is an attempt to honor and commemorate even in this moment of public vulgarity and corrosive discourse.
The official release of WTC is September 8th. I will be providing more information about the launch later. In the meantime, the book can be pre-ordered on my website.
It may look a little sloppy, but the loose pages shown in the photo above are actual offset printed pages for my forthcoming book, WTC. These are the so-called F&Gs (folded and gathered) straight off the press and air freighted from Hong Kong to New York for approval.
WTC folded and gathered pages — © Brian Rose
The quality of the printing is stunning, and I am expecting to receive a small number of bound books in the next couple of weeks. The rest of the books will be shipped by boat and should arrive by the end of August, in time for the book launch on September 8th. More information on that soon.
Today is the last day of my Kickstarter campaign, and the big news (at least for me) is that I have decided to print 2,000 copies of WTC instead of the 1,000 originally planned. Time and Space on the Lower East Side is sold out, and Metamorphosis is down to the last 200 copies. So, it made sense to print more this time. There are serious financial reasons for and against bumping the print run up to 2,000 — it costs more upfront, but gives me a much lower per unit cost. And the larger number of books require more storage space.
Everything is happening fast, and yesterday, the final proofs came in from the printer for approval. Above is the cover — front, back, and spine — and in the upper right are thread samples for the sewn binding. The letters WTC are reflective silver.
Most of the pages were already approved several weeks ago, but several needed to be tweaked for color or density. The image above is a particularly difficult one because it is a back-lit scene, almost monochromatic, and any change shows in the neutral tones. The print at the top right is my reference C print, and the other two are proofs from the printer.
Each of my books in this series — a New York trilogy — come in either the trade edition or limited edition. The limited book comes with an 8×10 inch print tipped in on the inside of the back cover, and it is housed in a slipcover box. For WTC I chose a dark grey linen slipcover with reflective silver lettering. The three books in their slipcovers can be seen above. The magenta one is Time and Space on the Lower East Side, and the middle one in a Kraft paper slipcover is Metamorphosis, Meatpacking District 1985 + 2013.
The slipcover for WTC is really beautiful.
We are on target for a September 8th release of WTC. There will be more information about it later, but the plan is a slide talk and book signing in New York at Cooper Union in the Great Hall.
Don’t forget my Kickstarter campaign — last day!!
Staten Island Ferry, 1977 — © Brian Rose
I was a student in 1977, a newcomer to the city I had long dreamed of making my own. I walked all around lower Manhattan with a Nikkormat 35mm camera, a brilliantly stripped down camera made by Nikon, shooting color slide film. I was discovering New York, and at the same time, exploring the potential of color photography, which was still in its infancy.
On a trip across the Staten Island Ferry I caught the scene above — a brief interaction — a high-heeled woman and a man in a suit — like a film still. I shot two frames quickly, similar to each other, this one with the Twin Towers framed in a window echoed by the vertical elements of the ferry, the gap of sky, the yellow pole,
This photograph, and a number of others from the ’70s, introduce my book, WTC, a 40 year visual history of New York in which the Twin Towers — their destruction — and the rebuilding — play a central role. It is a personal narrative set against a historical backdrop of epic scale. It is a commemoration, a reflection, and a tribute to New Yorkers and all who carry a piece of this great city with them.
Please help make this book a reality by supporting my Kickstarter campaign.
Mark Byrnes writes:
…most who page through WTC will contemplate Manhattan’s relentless transformation since a turbulent and mythologized 1970s. Change has come through economic shifts, public policy decisions, and tragedy. Rose’s work provides a clear, visual understanding of what the city has lost and gained through it all.
Please support WTC by pledging to my Kickstarter campaign.
Your help is needed!!
I am now at 26% of my Kickstarter goal. On target, but only if I can keep up the same pace for the next three weeks. I don’t have any big donors to count on. This is about individuals who are willing to step up and support artists and projects they care about. Small amounts add up. Please participate at whatever level of support you are comfortable with.
I was downtown the other day on business unrelated to my WTC book project, and snapped the image above. It’s a construction fence with a printed photograph of the skyline. In the rear are the ribs of the transportation center, which is now open to the public, although with limited access. There is only one entrance through the lobby of 4 WTC on Liberty Street.
Yesterday, a North Carolina middle school choir singing the Star Spangled Banner at the 9/11 memorial was stopped by a security guard — you are supposed to have a permit. A couple of thoughts. How strange that a school group would travel all the way to New York to sing the National Anthem — uninvited — at the 9/11 memorial. And how weird that they chose the official anthem of the United States, as opposed to, say, a hymn like America or God Bless America. Did they expect everyone to stop and pay respect to the Anthem as they sat on benches eating their lunches or crossing the plaza to get to the Path Train?
Clearly, the group from North Carolina, like many visiting the memorial, have a very different idea of the site’s meaning than those who live and work in the area. And finally, what crazy sense of duty would compel a security guard to interrupt the singing of the National Anthem on the plaza for lack of a performance permit.
We live in strange, and often, unsettling times.
Whatever happened to the Freedom Tower? That is what former Governor George Partaki called One World Trade Center when it was still an architectural concept. And if you wander through the crowds of tourists downtown, you will still hear people refer to David Child’s 1,776 foot tall skyscraper as the Freedom Tower. The Port Authority, however, abandoned that name years ago, and few New Yorkers seem inclined to use it.
One section of my forthcoming book WTC is comprised of vernacular images of the Twin Towers — posters, murals,and graffiti. And there are books and photographs for sale in the street, many of which graphically show the destruction of the Trade Center. It has been 15 years, but helped by constant visual reminders, the Twin Towers remain fixed in the mind’s eye. Images of One World Trade, however, are harder to find.
One World Trade — or Freedom Tower — was envisioned by some as a patriotic gesture, not just real estate. Some might argue that in New York City real estate and patriotism go hand in hand. Whatever the case, One World Trade Center has only slowly begun to achieve the iconic status of its progenitors, the Twin Towers. Maybe it never will. So, I was stopped in my tracks yesterday while walking through the Bronx. There on the ground was a pizza box with One World Trade and an enormous American flag printed in red white and blue. The Freedom Tower lives…perhaps.
And then in Brooklyn — there it is again — standing tall in support of Bernie.
Please help make WTC possible by supporting my Kickstarter campaign.
I’ve been showing a cover mockup for WTC that has dull gray lettering — looks good, but not inspiring. Yesterday, we got the cover proof with silver foil stamped onto a matte background. The result is, in my opinion, stunning. The letters WTC appear almost to float in air.
Cover proof — © Brian Rose
The rear cover will have another of the images from my WTC Frieze, comprised of close-ups of the steel piping of the Twin Towers’ skin. The spine of the book will be blue — a somewhat brighter blue than shown above — as will the endpapers inside the cover. The correct blue can be seen below.
The final cover design is something I’ve been playing with in recent years as the overall concept of the book came together. When I would talk to publishing people, they would almost always say, it looks nice, but of course, we’ll need a regular photograph on the cover. My artist and photography friends told me to stick to my guns.
Help make that decision the right one. Please support my Kickstarter campaign.