Category Archives: Politics

New York/Brooklyn


Abraham Lincoln, Grand Army Plaza, Brooklyn, New York — © Brian Rose

The principles of JEFFERSON are the definitions and axioms of free society. And yet they are denied and evaded, with no small show of success. One dashingly calls them “glittering generalities.” Another bluntly styles them “self-evident lies.” And others insidiously argue that they apply only to “superior races.”

These expressions, differing in form, are identical in object and effect — the supplanting the principles of free Government, and restoring those of classification, caste and legitimacy. They would delight a convocation of crowned heads plotting against the people. They are the vanguard, the sappers and miners of returning despotism. We must repulse them, or they will subjugate us.

Abraham Lincoln
SPRINGFIELD, Ill., Thursday, April 6,1859

New York/Atlantic City


Trump Plaza wall — © Brian Rose

I returned to Atlantic City to continue working on my project — Atlantic City: In the Wake of Destruction Left by Donald Trump. I intended to spend part of my time on the Boardwalk, which in mid-August is filled with people and activity. But I ended up mostly on Pacific and Arctic Avenues just to the west of the beach. Even at the height of the summer, the streets were strangely quiet.

The photograph above was taken in the area adjacent to an immense outlet mall and a large fishing and camping store — efforts by the city to generate tourism and commercial activity. The former Trump Plaza stands empty, a black and white shell, its parking structure denuded of the Trump logo, though its possible to just make out the letters to the left and right of Trump’s golden crest.


Caesars Casino Hotel — © Brian Rose

Next to Trump Plaza is Caesars, a casino still doing business on the Boardwalk, Atlantic City’s homage to the Roman Forum.


Pacific Avenue — © Brian Rose

Just a block or two from Caesars and Trump Plaza — the white tower in the background — it’s a different world. Junkies and alcoholics mingle on the corners while beach goers drift toward the Boardwalk carrying umbrellas and towels. The arched wall at center is the site of the former Trump’s World’s Fair, another failed casino.


Arctic Avenue — © Brian Rose

A vacant building and empty lot just behind the outlet malls on Christopher Columbus Boulevard. In the distance is the Sheraton Hotel, which primarily serves the Atlantic City convention center. A man approached from a shop just to the left of the pink structure and asked what I was doing. it turned out he was the owner of the place called The Fishmarket. I explained a little about my project, and asked him whether he thought Atlantic City was coming up or going down. He gave a thumbs up, and told me that business was good. I don’t know if I share his optimism, but I felt encouraged by his attitude, nevertheless.


White House, Arctic Avenue — © Brian Rose

Just in the next block, the neighborhood of Ducktown remains largely intact with densely packed blocks of row houses. On the corner is White House Subs, which was probably not Donald Trump’s inspiration to run for the presidency. It is, however, a wonderfully funky and happening sub shop, which was packed with a diverse melange of people at lunch time.


White House (Brendan and Renee) — © Brian Rose

My family came along on this trip — I deposited them on the beach while I was shooting — and we had lunch at White House Subs.


White House (with Jimmy Fallon) — © Brian Rose

Across from me in the booth a grinning Jimmy Fallon from 10 years ago looked me in the eye holding one of White House’s classic Italian subs. Yes!

New York/Atlantic City


Trump Plaza (4×5 film) — © Brian Rose

Most of the pictures of Atlantic City and Trump’s abandoned casinos I’ve posted so far were made with a digital camera. But I am actually shooting 4×5 film with the digital camera primarily for backup and preview purposes. It’s hard to appreciate at 72 pixels per inch, but these are scanned at very high resolution and worked up meticulously in Photoshop. Trump’s buildings have never looked so good — in a manner of speaking.


Trump Plaza (4×5 film) — © Brian Rose

It is not merely the materialism of the 1980’s that Donald Trump embodies, it is the impatience, the insistence on having everything right now, all of it, the willingness to settle for appearance over substance. This is why it is hard not to sense, for all Mr. Trump has been identified with New York, that he is more at home in Atlantic City, where surface glitter is really all there is.

— Paul Goldberger, New York Times

My Atlantic City mini-website here.

New York/Atlantic City


Atlantic City — © Brian Rose (4×5 negative)

President Trump has a magnetic personality and exudes positive energy, which is infectious to those around him. He has an unparalleled ability to communicate with people, whether he is speaking to a room of three or an arena of 30,000. He has built great relationships throughout his life and treats everyone with respect. He is brilliant with a great sense of humor . . . and an amazing ability to make people feel special and aspire to be more than even they thought possible.

— Hope Hicks, White House spokeswoman

New York/Trilogy


Broadway, one week after 9/11 (4×5 film) — © Brian Rose

The three books I have published in the past seven years comprise a New York trilogy — the city seen and explored over an extended period of time. Taken together they form a portrait of New York, especially lower Manhattan, during a period of extreme transformation. I hesitate to say “unprecedented” because change is integral to the nature of New York going all the way back to the first Dutch settlers.

The story told in these books relates to past photographic projects even to the way in which Marville and Atget documented Paris during the remaking of the city under Haussmann. I was familiar with all of that history when I began photographing the Lower East Side in 1980. At the same time, I was influenced by contemporary strains of street, architectural, and landscape photography. Color was an exceptionally new thing when I started this work in the 1970s, Today, it is the default photographic medium. As I was exploring New York with my camera, I was also discovering color’s descriptive nature, and its capacity to reveal as well as obscure.

These books also form a personal narrative, and I have kept my voice present throughout the text accompanying the photographs. I was 23 when the first images were made, and 62 when the most recent were done. At the center of this trilogy — though not seen directly — the World Trade Center was destroyed by terrorists on September 11, 2001. That wrenching event propelled the city forward, inexplicably, as a complex barely understood motive — and simultaneously, propelled the nation backward, convulsively, to the present moment of political crisis.

Time and Space on the Lower East Side is a portrait of place, one of America’s most vibrant and historic neighborhoods seen over a span of 30 years.

The trade edition of this book is, unfortunately, sold out, though used copies can be found on the internet.

The limited edition is still available — signed books in a slipcover with an 8×10 inch print inside.

Purchase the limited edition or browse images and reviews here.

Metamorphosis. Meatpacking District 1985 + 2013 is before/after view showing rthe dramatic transformation of the former meat market of New York City. Rose spent several days in 1985 photographing the neighborhood with a 4×5 view camera. The negatives remained in a box unseen for over three decades. Rediscovered a few years ago, the images portray the streets and architecture of New York, stunningly empty, but vividly real.

There are only 150 copies of this book still available.
Purchase the trade or limited edition of the book here.

WTC is a visual history of the Twin Towers and the rebuilding of the city after 9/11. It serves as both historical record and personal story going all the way back to 1977 when the Trade Center was only a few years old and Rose was a newcomer to the city.

WTC pivots off of 9/11 with a series of images made directly after the destruction of the Towers, and moves forward to the ascendance of One World Trade Center on the skyline.

Purchase the trade or limited edition of the book here.

 

New York/AIPAD


Empty AIPAD booth — © Brian Rose

There are hundreds of booths at AIPAD (The Photography Show) and thousands of people attending. Lots of different languages overheard while walking around, which is typical of New York.

But one booth is empty. The sign says:

Due to the recent travel ban and
the uncertainty of international
travel from countries identified
in the ban, Ag Galerie, Tehran,
is unable to participate in The
Photography Show this year.

Ran into several friends, Hans Knijnenburg from the Netherlands who is avid photo book collector, Art Presson and Eve Kessler, who have a wonderful photography collection, Joel Sternfeld, the photographer, and I met Hendrik Kerstens, the Dutch photographer who I wrote about in my blog a number of years ago.

 

New York/DART

DART, the newsletter for design professionals and photographers, is promoting the work of artists who are responding to the election of Donald Trump and the current political fallout from this national disaster. Today, my Atlantic City project is being featured. Thanks go out to Peggy Roalf for providing a showcase for this work and that of other artists.

The full project, Atlantic City: In the Wake of Destruction left by Donald Trump, can be viewed here.

New York/Truth

Eons ago — about 10 years — when George Bush was president, I wrote with dismay about how reality was becoming more and more a relative concept, untethered from facts, infinitely malleable. I quoted a Bush administration aide who said:

”That’s not the way the world really works anymore,” he continued. ”We’re an empire now, and when we act, we create our own reality. And while you’re studying that reality — judiciously, as you will — we’ll act again, creating other new realities, which you can study too, and that’s how things will sort out. We’re history’s actors . . . and you, all of you, will be left to just study what we do.”

This was was from Time magazine, which still exists, despite the vast dispersion of the media across the internet in an information space that freely mixes social media and journalism, where rumor and fake news compete — and oftentimes win — over factually based reporting and observation.

Last week Time’s cover features only the text Is Truth Dead? This is where we are now. A dangerous con man was elected president on a wave of lies, disinformation, and willful ignorance. We are in big trouble.

There has been a lot of discussion over the years about photography and its relationship to truth and  reality. You hear a lot about how Photoshop has undermined the credibility of the image. You hear terms like “post factual.” There are deeply mind numbing discussions about semiotics and the indeterminate nature of meaning — and truth. These themes make wonderful parlor discussions, and graduate school theses.

They are irrelevant right now. We are in an emergency. We need to employ words and images as we understand them — to drill down to what is essential and knowable in practical terms.

I’m sick to death of hearing things from
Uptight short sided narrow minded hypocritics
All I want is the truth, just give me some truth
I’ve had enough of reading things
By neurotic psychotic pigheaded politicians
All I want is the truth, just give me some truth
All I want is the truth, just give me some truth
All I want is the truth, just give me some truth

— John Lennon

UPDATE:

Case in point. I just received an email from a photography organization in the Netherlands promoting their next exhibition, Simulacrum. The basic premise of the show is that reality and manufactured reality are becoming indistinguishable. This is hardly an original concept — a curatorial container for a bunch of artists using technology to create alternative realities. I am not interested in this. I am interested in what artists have to say concretely and coherently — including those who make use of new technology. When we get waylaid by aesthetic and philosophical strategies that purposely blur the difference between truth and untruth in images and language, we run the risk of becoming complicit with the shape shifters and charlatans who seek dominance of our institutions and who currently occupy the White House in Washington, D.C.

Get real!

http://www.noorderlicht.com/en/photogallery/expected/

Simulacrum
What is real, what is artificial? The border between the two is beginning to fade. In the visual language of the advertising industry, the border between real photography and digitally calculated models is almost indistinguishable…  It’s becoming somewhat of a challenge to distinguish between images that represent reality and images that depict reality. This theme lies at the heart of the exhibition: a Simulacrum stands for a simulation that takes the place of the reality it stems from.

 

New York/Wall


Heinersdorf, Germany 1987 — from The Lost Border, The Landscape of the Iron Curtain
— © Brian Rose

The Dept. of Homeland Security, Customs and Border Protection (CBP) intends on issuing a solicitation in electronic format on or about March 6, 2017 for the design and build of several prototype wall structures in the vicinity of the United States border with Mexico.

 

Unsurprisingly, there are engineering firms and architects who are interested. One small architectural firm explains their willingness to participate:

To put it directly: we have never said that we are designing a wall. We are responding to the government’s solicitation for a new model of border infrastructure which we hope will provide a corrective to the privileging of iconicity, spectacle, and security at the border. (full text here)

Jake Matatyaou and Kyle Hovenkotter, JuneJuly, March 3, 2017
management@junejuly.co

 

New York/Atlantic City

We are barely two months into the Trump presidency and it’s been some scary ride. I have gotten a good start on my Atlantic City project, which highlights Trump’s bankrupt casinos as a jumping off point. I don’t know where things go from here — with my project, or with Trump’s reality TV show writ large. As the esteemed blogger Digby says, “He’s running the country like he ran the Taj Mahal.”

Most of my landscape projects have incorporated social/political issues, but this is by the most targeted, and the most connected to current events. So, in the interest of getting the work out into the world as soon as possible, I’ve taken the photographs I’ve run on my blog over the past few months and put them together in a mini-website. Please take a look — recommend to others. Resist!

New York/Williamsburg


Williamsburg, Brooklyn — © Brian Rose (Painting by Damien Mitchell)

Trump unmasked.

Update — a quote from Simon Schama’s piece in the Financial Times. I first came across Schama when living in the Netherlands. His book The Embarrassment of Riches: An Interpretation of Dutch Culture in the Golden Age is highly recommended along with his later Landscape and Memory.

He writes:

The challenge, as with all such imaginative counter-attacks, is the capacity to project the message beyond the halls of college and museum and into the street where it counts. Prints lend themselves perfectly to poster polemics but the most effective challenge may yet come from creative adventures in the digital media, where inspired derision coupled with the defence of truth can go viral. Should that happen, the complacent dismissal of resistance art as the self-indulgent playtime of a defeated “elite” will die on the faces of the powerful. Aux armes, les artistes!

https://www.ft.com/content/0ded5de4-fe6d-11e6-96f8-3700c5664d30

New York/Atlantic City


Trump Taj Mahal, Atlantic City — © Brian Rose

By the time I get back to Atlantic City, these images of Trump Taj Mahal and Trump Plaza will almost certainly be gone. Workmen were busy removing any signs of Trump’s involvement in Atlantic City when I was there less than two weeks ago. But the evidence will not be easily erased.

In 2015, the Trump Taj Mahal was fined $10 million for money laundering.

“Trump Taj Mahal received many warnings about its deficiencies,” said FinCEN Director Jennifer Shaky Calvery. “Like all casinos in this country, Trump Taj Mahal has a duty to help protect our financial system from being exploited by criminals, terrorists, and other bad actors. Far from meeting these expectation, poor compliance practices, over many years, left the casino and our financial system unacceptably exposed.”

Financial Crimes Enforcement Network
United States Department of the Treasury
Press release — March 6, 2015

 

New York/Atlantic City


(
Trump) Taj Mahal, Atlantic City — © Brian Rose

On January 24th this year, a northeaster swept up the coast eating away at the dunes erected along Atlantic City’s boardwalk. In front of the (Trump) Taj Mahal the waves nearly broke through the dune barrier leaving behind a sharp cliff of sand.

Maps provided by (Atlantic City Director of Planning) Elizabeth Terenik show why Atlantic City presents such a unique case study for what sea level rise can do to a city. The majority of Atlantic City’s casinos, four of which shuttered in 2014, along with the boardwalk, rest along the highest point of elevation, while the residential portion has a much lower elevation, putting the homes in harm’s way. Names like “Trump” and “Bally’s” dominate the skyline of a community that sees little of the industry’s profits.   — National Geographic

 

New York/Atlantic City


B
orgata and Harrah’s casinos, Atlantic City — © Brian Rose

Atlantic City has seen five of its 12 casinos close since 2014 (two were Trump casinos) amid ever-increasing competition from gambling halls in neighboring states. That has caused the city’s tax base to crumble. It also led the city’s remaining casinos to file hefty tax appeals, claiming their property assessments were too high thanks to the downturn. In turn, that blew large holes into the city’s budget over the last few years, helping bring the city to the brink of bankruptcy.
–NJ.com

So, in a nutshell, the Borgata, the most successful of all the casinos, bankrupted Atlantic City. It should be obvious at this point that the casinos were never really about the revitalization of the city. Atlantic City’s unemployment rate remains extremely high, and city services have declined. The casinos were, and are, about the transfer of billions of dollars into the pockets of people like Donald Trump, aided by politicians like New Jersey Governor Chris Christie. And there is ample evidence that much of Trump’s money came from nefarious Russian sources to whom he remains indebted and obligated in unknown and potentially dangerous ways.


Pacific Avenue, Atlantic City — © Brian Rose

Donald Trump came to Atlantic City promising glamor and untold riches. He left it in ruins — though there is still plenty of gold all over the city — like in the Gold Mine directly behind the empty and now de-Trumped Taj Mahal.

New York/Atlantic City


Golden Nugget, former Trump Castle, at left — © Brian Rose

Initially, most of the casinos were built on the boardwalk in Atlantic City. Since most gamblers were not interested in the raucous entertainments of the boardwalk, nor were they likely to be found sunning themselves on the beach, several casinos were built on the other side of Absecon Island in a marshy area well away from the crime-ridden streets of the city. Trump Castle was the first to locate in that area.

Like a rat abandoning a sinking ship, Trump pulled out his interests in Atlantic City little by little. In 2011, the Trump Marina (formerly Trump Castle) was sold for about a tenth of what it was originally worth, and now operates steadily under new management as the Golden Nugget.
— Vox

Now he was looking for work as a livery driver. Brown also used to work in the casinos, at the Showboat, bussing tables, and at Trump’s Castle, stripping and waxing floors. “When Donald and Ivana came to the casino, the bosses would order all the black people off the floor,” he said. “It was the eighties, I was a teen-ager, but I remember it: they put us all in the back.”
— The New Yorker

New York/Atlantic City


Trump Taj Mahal, Atlantic City — © Brian Rose

The Trump Taj Mahal appears from the boardwalk as a complex multi-leveled building festooned with towers, domes, and a grand staircase leading up to the sky. The reality, however, as seen along Pennsylvania Avenue — the Monopoly Pennsylvania Avenue that is, not Washington, D.C. — is a massive windowless box containing cavernous casino, restaurant, and entertainment spaces. Everything is internalized. Only the high rise hotel rooms offer views of the ocean and the New Jersey  pine barrens to the west.


Trump Taj Mahal, Atlantic City — © Brian Rose

As I walked along the wall of the Taj casino I came across the abandoned Human Resources Offices of Trump Entertainment Resorts. No jobs available here any more. Lots of smiling faces of fictional employees and a dead pigeon.


Trump Taj Mahal, Atlantic City — © Brian Rose

And then, to my astonishment, a group of women came walking along Pennsylvania Avenue carrying  “Make America Great Again” signs. Even here, at the epicenter of Trump’s business dissolution, at the nexus of Russian dirty money and the fleecing of gullible gamblers, there are, apparently, true believers.

New York/Atlantic City

Atlantic City — © Brian Rose

Back in Atlantic City on a bright, somewhat cold, February day. Earlier in the week, I read that the Trump name was being removed from the Trump Taj Mahal.I decided that I better go back and get some more photographs of the Taj before it was completely de-Trumpified. All traces of the name had already vanished from the Boardwalk. On the back side of the tower, however, workmen high on a crane were busy detaching the red letters from the facade. It was not something I could do much with using the view camera, so I moved on.

I walked out on the beach for an overview, stopping behind a restaurant, closed for the season, with some of its furniture shrink-wrapped in plastic, the bulbous shapes oddly echoing the onion domes of the Trump Taj Mahal. The casino, as i’d noted before, looks less like the Taj Mahal of India than it does a Russian Orthodox church. Despite all the Trump/Russian connections, that was probably not the original intention. But it’s one more thing that makes you go hmm.