I heard recently from a friend looking for a photograph I had taken years ago during a recording session with Suzanne Vega. So, I dug back into my archive, found the film, and began scanning the negatives. I remember that it was difficult lighting, and I didn’t want to use flash in the studio. So, it’s grainy film pushed in processing to get a little more speed out of it.
It was the end of 1989, and she was working on her third album, which would be called “Days of Open Hand.” One of the songs, “50/50 Chance,” included a string arrangement by Philip Glass. Present in the studio were Glass, Vega, producer Anton Sanko, and a string quartet.
Stephen Holden of the New York Times later wrote:
This song about an attempted suicide, a pop-minimalist answer to a Sylvia Plath poem, has a simple, lovely string arrangement by Philip Glass that underscores the sparseness of Ms. Vega’s language. It also sets off the emotional flatness of her vibratoless singing, which maintains a deadpan objectivity even in the words ”I love you.”
At one point I handed the camera to Suzanne, and she took the photo above. Here is the finished song from the album: